Saturday, 13 December 2014

Evaluation of 'The most horrific'
On the 10th of December 2014 Simon Stevens political theatre class performed there interpretation of 'The most horrific' we started the process by being given the play 2 weeks before the show and reading it getting a feel for what it's about and the style it in. At first when reading it i didn't completely understand it but after I did my research on the play and understood it and the issues I became really excited to perform it. I was given the role of A which was a fun character to play 'sassy' but also very ignorant.
The rehearsal process was productive and I feel everyone worked really hard the class was split into two a&b's and c&d's I was put into the group on a&b's were I came up with a productive way to divide lines. Getting into pairs and choosing a page or two with your partner I was with Romy we chose page 5-6 because the lines were snappy and there was a dark meaning behind them which meant we could give them more depth. Simon staged the piece so we then knew what we were doing once we had the main performance staged and rehearsed we then created small outer pieces to do with the issues being disgust in the play my group did force feeding and we created a strong scene that was to do with filtering the news and what we hear, which was very successful and we got strong positive feedback from it, I decided to add my own small part into the play there is a scene while boe it talking and he is talking about something very serious when i then interrupt him by saying 'ssshhhhh' i then ask all the a&b's if they want sushi this was a Gestus moment because it shows the characters mannerisms and there little care for serious topics and it relates to all the a&b's. I believe over all that my performance was successful because i took on everything simon said and performed it my strengths were that i was fully committed i felt that i kept my character on the appropriate number when necessary most of the time it was a seven but it changed to a 1 and 10 when we were asked too. My weaknesses where i felt i could of projected my voice better in order for the audience to hear me clearer but also for my fellow actors to know there cue e.g.. when i say 'its just...' billy then has to say 'Cheryl Cole' straight after and i don't feel i was loud enough billy had to see we had stopped talking so i should of spoken louder but when it got to the final show everyone worked really well was a team the positives where that we really took on all the direction and put it into the final show e.g. Keeping our voices down when the other group talks, also keeping our body language at 7,10,1 when  appropriate the negatives where that a few people forgot there lines but it wasn't noticeable over all it was a successful performance and I really enjoyed the process.

Tuesday, 2 December 2014

The Most Horrific by Vivienne Franzmann

The opening play splits the actors into three groupings.Two men discuss the horrors perpetrated by a bearded celebrity, using oblique terms but fooling nobody, given a recently closed court case.A woman relates stories of terror, again all familiar from recent news coverage and each competing for the attention of a director or producer, who seeks entertaining perversity.The play is most effective using irony to remind us how awful today's world is.
i am a really big fan of the play as it explores a disturbing and very much alive issue in a creative and clever when we first got given the script i was confused but understood some on the issues that were being disgust (the political news storys) but as i read it again and became more aware of what was going on in the story and better educated in the message the play was giving its audience, i have been given the character of A page 5-6 and i talk about how the rolf harris scandal and how much it effected me when i was not abused and how i am so self indulgent and feel bad for myself and betrayed when nothing even happened to my character! i play a rude media hungry media wanker who only cares for the gory bits. 00

Monday, 1 December 2014

Targets-
I need to learn lines and be confident with the character, use a large range of tones in my speech and make it more interesting by slowing it down or speeding it up and speaking louder I'm some bits and quieter when appropriate finding the appropriate voice for the character that is in tube with the monologue, because my monologue is a lot of fast paced talking I need to find places in the text where breath can become a technique in my monologue e.g. A sigh or loss of breath which is needed in my monologue. The technique must support the interpretation.
The interpretation must be a appropriate and relevant to the character and performance style it should be then supported by your technique but interpreting a piece wrongly can ruin and weaken the monologue all together especially if it's well known, I am going to fully understand my character and the style of the play before learning lines so the lines come naturally and so does the interpretation also your physicality will help your voice style and technique. Having an opinion behind your vocal technique is by doing it with energy and imagination be braver and make some bold choices driving through and committing to your vocal choices 
Political piece

Different aspects of Society's and men's expectation of woman, and how it effects them. - 

Porn
Objectifying 
Media 
Night time 
Props-

Spotlights
Camera 
Tripod

What would our society be like if expression was band, suppressed or denied a platform?
Nothingness everyone would be the same, we would be living in the Stone Age, expression gives you identity. Ideas would not be expressed which stops society developing.

What right do we have to discuss upsetting it serious issues?
Because we can change it, freedom of speech and open peoples eyes

Human obligation
Forget about the government and all that bullshit for just a second forget about laws and the army just think human to human. 
Us as humans have an obligation to take care of one another and it rarely happens